TYNESIDE POETS!

TYNESIDE POETS!

Monday, 1 May 2017

A PRAYER FOR THE LONERS




















The dejected men,

the lone voices,

slip away

in this seaside rain.

Their words shudder to a standstill

in dismal corners.

Frightened to shout, 

they cower

behind quivering faces.

No one listens

to their memories crying.

There seems no point

in this democratic deficit.

For years, they just shuffle along,

hopeless

in their financial innocence.

They do have names

that no lovers pronounce.

They flit between stools,

miss out on gales of laughter.

Who cares for them?

Nobody in Whitley Bay

or canny Shields,

that’s for sure.

These wayside fellows

might as well be in a saddos’ heaven

for all it matters

in the grey world’s backwaters.

Life has bruised them,

dashed them.

Bones flake into the night.

I feel like handing them all loud hailers

to release  

their oppressed passion,

to move them

to scream 

red murder at their leaders -

those they never voted for;

those who think they’re something,

some thing special,

grand.

For, in the end,

I am on the side of these stooped lamenters,

the lonely old boys with a grievance

about caring 

and the uncaring;

about power,

and how switched off

this government is

from the isolated,

from the agitated,

from the trembling,

the disenfranchised 

drinkers of sadness.



 
KEITH ARMSTRONG

 
Kenny Jobson absolutely excellent

Davide Trame This is a great, powerful poem

Libby Wattis Brilliant poem x

Gracie Gray Very evocative Keith. x


Sue Hubbard Very strong


David Henry Fantastic! A powerful and very moving poem 

Strider Marcus Jones A great poem full of so many truths.

Dominic Windram Great stuff Keith... always a vociferous voice for the voiceless! 

Siobhan Coogan Beautiful Keith you give a voice to the lonely

Saturday, 22 April 2017

ALAN C. BROWN - A TRIBUTE BY DAVE ALTON



































Photo by Tony Whittle









 
 
 
 
"They Shoot Horses Don’t They…"

A sunny day in back in the 1970s and there's a parade through the streets of Newcastle. I don’t recall the reason for it, some mayoral celebration or significant civic anniversary perhaps, but it was quite extensive.

There were floats and fanciful costumes, crowds along the pavements and amidst the slow moving, slightly unruly jollity, on the flat-back of a lorry, the Tyneside Poets, declaiming their verses through a loud hailer.

Amongst the collective of young bards was the father figure, a poet in his fifties who was as enthusiastic as ever he’d been. Alan C. Brown read with customary enthusiasm his poem inspired by a popular film of the day, “They Shoot Horses Don’t They…”

Alan was the link between the upsurge of poetic interest in the 1950s and a group of poets determined to take poetry out from the hallowed halls of academe to wherever it might find a hearing, the more unlikely the venue the better.

The spirit of originality suffused Alan who cared little for conforming to conventional thinking. This showed through in his combining being a practicing Christian with a political sympathy for Russia.

As a poet he had an enduring interest in Russian poetry, with the possibility that poetry could become a popular art form. While others of his generation may have acquired greater public acknowledgement, none could match Alan’s enthusiasm and capacity for poetry.

Being one of those young bards on the lorry, I have vivid memories of my time with the Tyneside Poets and the central role Alan played in it. Even after that original group dispersed, Alan persisted and kept things going, organising subsequent groups that bore the name.

Initially, Keith Armstrong and I set up the Poetry Tyneside blog to put work drawn from Poetry North East, the Tyneside Poets’ magazine, on-line. Alan’s poetry was and is an important part of that heritage.

They may shoot horses, but old poets read on until they can read no more. Alan C. Brown may no longer read, but it is a testimony to him that he will continue to be read.



The Poet’s Tongue
(For Alan C. Brown)

The poet’s tongue is in repose,
His ear shrouded in silence,
But though the voice has passed away
Words remain of consequence.

Time is versed in its own passing:
Rigour of mortis requires
Syllables be chosen with care
Before their moment expires.

What remain stays with the reading,
Way beyond fad or fashion.
His spirit lives though the verses
Penned with the ink of passion.


Dave Alton




  p.s. from Steve Walker:

This is a tribute to Alan C Brown, who was a tremendous encouragement and influence upon me as a young poet on Tyneside and a passionate believer that poetry had a power to transform lives and worlds.

Friday, 14 April 2017

FROM THE POET'S MOUTH


From the poet’s mouth: Poetry, culture and the literary scene in Tübingen (Poetry reading, 26th and 27th April)

 
 
 
 
 
 
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Colourful houses by the river in Tubingen
Neckarfront Tübingen, by Felix König (Own work) [GFDL or CC BY 3.0], via Wikimedia Commons
Is there something divine in everyday life? Is there a source of human cognition and feelings? On 26 and 27 April, two young writers from the University of Tübingen will read from their works and discuss their influences and linguistic ideas. The writers come to Durham City in the context of a civic literary partnership that began in 1969. This event is organised by Dr Keith Armstrong, Northern Voices Community Projects. Manuela Schmidt studies study art history and anthropology and takes inspiration from “encounters and chats with people from all over the world with extraordinary world views, open hearts and minds; language barriers and dictionaries”.
Florian Neuner’s PhD is in Philosophy on Fichte and Hölderlin. His inspiration comes from “the shattered individual and intellectual; own demons of the subconscious. Is there something divine in everyday life? Is there a source of human cognition and feelings? Literature is a created furyhouse of human experience: a creation of space and a space of creation.”
The writers come to Durham City in the context of a civic literary partnership that began in 1969; further information about this partnership can be found here. Durham University and the University of Tübingen also share an evolving university partnership through the Matariki Network of Universities.
The readings will take place in Elvet Riverside 149 on Wednesday, 26 April from 4pm to 6pm and St Chad’s College Chapel on Thursday, 27 April at 6pm. All are welcome and there is no booking required. For further information please call Dr Keith Armstrong, Northern Voices Community Projects, on 0191 2529531.

Thursday, 6 April 2017

THE YEAR OF THE OX








































THE YEAR OF THE OX


It was 1789 the Year of the Great Ox,
the year the beast got loose in Paris,
when Whitley Bay was sleeping.
The year of the storming,
when John Martin was born in Haydon Bridge,
his heart breaking with painting visions;
the year of the slaying
of old regimes
when royalty hung in the slaughterhouse.
The Ox walked seven days,
like a doomed aristocrat
to have its tallow used to light the night,
to show the way
for the Rights of Man,
to sacrifice its beastly life
to keep a candle burning
and give us hope
and faith and charity,
a glint from God
and a gleam in Thomas Bewick’s eye
as he engraved the swollen moment
for all to see.


KEITH ARMSTRONG


THROUGH THE EYES OF A GREAT OX


Exhausted,
what could you see?
The mob grabbing your life,
and Tom Horsley’s butcher’s axe
hanging over your great spirit
as you valiently strode
the mucky road,
along the throbbing seashore,
through the pestilence of Tyneside,
its filth and flames,
its poisoned air and quack’s potions,
its Geordie beauty and debauch.

Edward Hall thought he owned you.
After a few beers, he thought the very universe was his.
But you, my sturdy fellow, were your own Ox
and could see the folly
of the swinish multitude
as it came to get you
to rip out your guts
and feed the Duke and Duchess,
and all their grasping subjects,
to satiate their appalling vanity.

You had more dignity than them.
You gave up your animal life
for others.
While Eddie Hall he died in pomp,
you, my massive beauty, were unselfish,
a Great Beast
full of love,
the very meat
of life itself
in all its morning glory,
in all its starry wonder;
the wide and beautiful sky
through the miraculous eyes of an Ox.


KEITH ARMSTRONG


THE CONSTITUTION OF AN OX


It had the Constitution of an Ox:

Girth at the belly 10 feet 9 inches
Girth at the loins 10 feet 4 inches
Girth at the shoulders 10 feet 3 inches
Girth behind the shoulders 9 feet 9 inches
Breadth at the hips 3 feet
Breadth at the shoulders 2 feet 6 inches
Height at the fore-crop 5 feet 9 iches
Height at the loins 5 feet 11 inches
Height from the ground to the breast 1 feet 6 inches
Weight 216 stones 8lbs.

That was the Constitution of the Ox.
The track record, shape, volume, build, realm, history, cut and nub of it, the scale of things, the order of the Ox, the full measure of the beast drawn by Thomas Bewick for all of us in awe of it, in a world that never ceases, to astonish.



KEITH ARMSTRONG

Wednesday, 29 March 2017

HOOKEY WALKER’S FAREWELL TO SHIELDS

































HOOKEY WALKER’S FAREWELL TO SHIELDS

(I wrote the following jeu d’esprit in the year 1852 and had it printed anonymously. It was meant to represent, with that spice of exaggeration permissible in such good natured squibs, the condition and aspect of the Shieldses – South Shields more particularly – as they struck a dispassionate resident in that remote era, before the local sanitary reformers had set about their Herculean task, towards the accomplishment of which they have since gone a great length).





Farewell to Shields, the filthiest place

On old Northumbria’s dirty face,

The coal-hole of this British nation,

The fag-end of the whole creation,

The jakes of Newcastle-upon-Tyne,

The banquet-house of dogs and swine,

The paradise of bugs and fleas,

And human vermin worse than these;

A mass of houses – not a town -,

On heaps of cinders squatted down,

Close to the river’s oozy edge,

Like moulting hens behind a hedge;

Huge ballast heaps, from London brought,

And here, like churchyard rubbish, shot,

Half-clad with scurvy blighted green,

Alone diversify the scene,

And furnish, when the weather’s dry,

An inexhaustible supply

Of dust, with every breath that flies,

To torture and to blind the eyes,

And, when it rains or thaws, a flood

Of sticky, stinking, coal-black mud,

Oft ankle-deep, in Claypath Lane,

Making the use of blacking vain;

Brick-yards, the nastiest smoke exhaling;

Green scummy ponds, a source unfailing

Of fell disease, foul middensteads,

Where everything infectious breeds;

Steam-tugs, whose smoke beclouds the river;

Chimneys, forth vomiting forever

All sorts of gas, to taint the air,

And drive the farmers to despair,

Blighting their corn, their quicksets blasting,

And all their prospects overcasting;

For scarcely even a weed will blow,

For miles around no trees will grow

In stunted copse or rugged fence,

Within their baneful influence,

And where stray birds have planted them,

In former better times, each stem

Looms on us, bare, black, mummied quite,

A ghastly and unnatural sight.

Streets, - if the name can be applied

To dingy lanes not ten feet wide,

Bordered by wretched tenements,

Let to poor devils at high rents;

Houses, on Dean and Chapter Land

Which, if not close packed, would not stand,

Whose perfect matches can be found

Nowhere within the empire’s bound;

Sewers, that only serve to stay

Stenches the wind will blow away,

And guide them to our outraged noses,

Concentrated in double doses.

When his sweet pipe Amphion blew

The enchanted stones together flew,

And formed a city. Widely famed,

Thebes by the Syrian Cadmus named.

Not such a dulcet origin

Had Shields, but to the cursed din

Of wheels and axles, saws and hammers,

And competitions thousand clamours,

It rose around St. Hilda’s pit,

For sooty fiends a dwelling fit.

Since Sodom and Gomorrah fell,

By bolts from heaven and blasts from hell,

Satan, with all the skill he wields,

Has formed no counterpart to Shields,

And, in futurity’s dark womb,

Laid up for Shields is Sodom’s doom,

For all that store of bitumen

Was not placed under it in vain.

He who perambulates the place,

Needs no uncommon skill to trace

The features of the inhabitants,

Whose instincts, appetites and wants,

It suits to such a nicety,

That nothing lacking they can see,

But shout “Hourrah for canny Shields”

And deem the Bents the Elysian fields.

Take from the mass a score or twain,

Honest in heart and sound in brain,

Free-spirited, intelligent,

Friendly-disposed, benevolent,

And all the rest are chaff and sand,

Fit only to manure the land,

Mill-horses, pacing round and round

The same eternal spot of ground,

To pick a paltry pittance up,

And smoke and snooze and eat and sup;

Gross gluttons, worshipping their belly;

Boobies, with brains of calf’s-foot jelly;

Creatures, whose souls are in their dress;

Base crawling serfs, idealless;

Crouching, dust-licking parasites;

Prim sanctimonious hypocrites;

Fellows whose lives are one long lie,

To meanly cloak their poverty,

Who, with the bailiffs at the door,

Turn up their noses at the poor,

And living upon shift, despise

The drudge from whom they draw supplies;

Magistrates, void of all pretence

To morals as of moral sense,

Leaving the beershop for the bench,

To send to Durham their own wench;

Lawyers, who know no more of law

But from their clients fees to draw;

Clergymen, dull and dry as dust,

In whom old women put their trust;

Doctors, a shallow, quackish crew,

But that, alas, is nothing new;

As for the so-called “vulgar rabble”,

One learns their status from their gabble;

They can’t be said to speak at all,

But jabber, croak, grunt, burr and drawl;

'Tis neither English, Scotch, nor Norse,

Though it partakes of all, and worse.

If brutes have souls, as some pretend,

And after death to Hades wend,

And learn to speak, I do expect,

'Twill be in the Shields dialect.

Farewell to Shields! I shout again;

A long and glad farewell! Amen!

I never liked the place, nor did

The place like me; but God forbid

I should bear witness false against it;

I have writ truth, and here attest it.



HOOKEY WALKER



On board ship “Lizzie Webber”.




Written by William Brockie (1811 - 1890)

Born at the East Mains of Lauder where his father was the tenant farmer, William was educated at the Parish Schools of Lauder, Smailholm, Mertoun and Melrose as his father changed farms.
Starting work as a teacher - he was at Kailzie prior to 1843 - he decided to pursue his real love, writing, and in 1842 he set up the "Galashiels Weekly Review". He also wrote articles for other publications including the "Border Treasury". Before long he was the editor of the "Border Watch" which was to become the "Border Advertiser".
In 1849 he crossed the border into England to become editor of the "North and South Shields Gazette", later becoming editor of the "Sunderland Times" from 1862 to 1872.
During all of this time, he was also busy researching and writing, particularly in the field of local history and folk legends.
Amongst his best known works are:
"The Gypsies of Yetholm" (1884) for which he is best known in the Borders, "Coldingham Priory" (1886), "A Day in the Land of Scott", "Leaderside Legends", "Legends and Superstitions of the County of Durham"(1886) and "Sunderland Notables"(1894).












 


The Lizzie Webber was built in Sunderland in 1851-1852 and sailed from Sunderland to Melbourne 31-7-1852 arrived 4-12-1852.