Monday, 29 October 2012
Saturday, 27 October 2012
REMEMBER REMEMBER!
KICKING OFF WITH A BANG!
A MANIFESTO FOR NORTHUMBRIA -
OFFICIAL LAUNCH AT THE OLD GEORGE, CLOTH MARKET, NEWCASTLE UPON TYNE. ADMISSION FREE. MONDAY 5TH NOVEMBER 7.30PM.
READINGS FROM THE NEW MANIFESTO BY DR KEITH ARMSTRONG & BRIAN HALL.
WITH NORTH EAST CULTURAL POETRY BY DR ARMSTRONG.
SPECIAL GUESTS - POETS GUY HUDSON (FROM LINCOLN) AND TREVOR LONSDALE.
ANN SESSOMS ON NORTHUMBRIAN PIPES AND FOLK SONGS BY 'KIDDAR'S LUCK' AND GARY MILLER.
TEL. NORTHERN VOICES COMMUNITY PROJECTS 0191 2529531 FOR FURTHER INFORMATION.
BONFIRES
Something is burning inside me;
you could call it my heart
but it's much more precise than that, it's a bonfire;
crackling sticks of shy words.
Crossing the country last week,
I saw them,
jumbled up heaps of poems
assembling,
rioting bundles of wood,
alone in October-dry fields.
Tonight, sitting here,
with only you in my eyes,
dazed by the intense glare, I devise
a scheme to link bonfires across the land,
to burn down the walls between our hands,
if only to set your face alight,
if only to see one Guy Fawkes Day
your dreamy children smile.
KEITH ARMSTRONG
TELL ME LIES ABOUT NORTHUMBERLAND
(in honour of Adrian Mitchell)
Say this land is ours,
these pipe-tunes do not cry.
The birds all sing in dialect,
old miners breathe like dukes.
Tell me lies about Northumberland.
Tell me it isn’t feudal,
that castles were built for us.
We never touch the forelock,
bend to scrape up dust.
Tell me lies about Northumberland.
Your pretty girls don’t stink of slaughter,
your eyes don’t blur with myth.
You’re as equal as a duchess,
saints never smell of piss.
Tell me lies about Northumberland.
Your roots are in this valley,
you were never from doon south.
You never hide your birthplace,
you’re a real poet of the north.
Tell me lies about Northumberland.
The churches are not crumbling,
the congregations glow with hope.
We are different from the foreigner,
our poetry rhymes with wine.
Tell me lies about Northumberland.
There is no landed gentry,
no homes locals can’t afford.
There’s no army on the moors,
the Romans freed us all.
Tell me lies about Northumberland.
That the hurt is in the past,
the future holds no war.
Home rule is at our fingertips,
the Coquet swims with love.
Tell me lies about Northumberland.
‘The Garden’ is our children’s,
Hotspur spurs us on.
The seagulls are not soaked in oil,
the cows are not diseased.
Tell me lies about Northumberland.
This Kingdom is United,
‘Culture’ is our God.
Everyone’s a Basil Bunting freak,
there’s music everywhere.
Tell me lies about Northumberland.
We will have our independence,
we’ll get the Gospels back.
We live off museums and tourists,
we don’t need boats or trades.
Tell me lies about Northumberland.
We’re in charge of our own futures,
we have north east citizens here.
In this autonomous republic,
we’re free as dicky birds.
So shut your eyes.
And tell me lies
about Northumberland.
KEITH ARMSTRONG
SONG FOR NORTHUMBERLAND
Drifting in moonlight,
the dunes sing their songs.
Wings of old battles
fly all night long.
Cry of the seagulls,
curse of the ghosts;
aches of dead warriors
scar this old coast.
Hover the kestrel,
sing out the lark,
we will be free in our time.
This air is our breath,
this sea is our thirst
and our dreams are sailing home.
Wandering through castles,
their walls are our lungs.
Seaching for freedom
in country homes.
Forbears and old cares
blown in the wind;
pull of loved harbours
draws our boats in.
Surge of the salmon
and urge of the sea
leaps in our local blood.
Peel of the bluebells
and ring of bold tunes
reel in all those grey years.
Slopes of the Cheviots,
caress of the waves.
Shipwrecks and driftwood
float in our heads.
Pele-stones and carved bones
hide in these hills,
roots of new stories
in ancient tales.
Dew on our lips
and beer on the breath,
drinking the countryside in.
Bread of the landscape
and wine of this earth,
flows on these river beds.
Drifting in moonlight,
the dunes sing their songs.
Wings of old battles
fly all night long.
Cry of the seagulls,
curse of the ghosts;
aches of dead warriors
scar this old coast.
Hover the kestrel,
sing out the lark,
we will be free in our time.
This air is our breath,
this sea is our thirst
and our dreams are sailing home.
KEITH ARMSTRONG
ALSO FORTHCOMING:
Wednesday January 16th 2013 7.30pm.
Northern Voices Community Projects Annual Award event. Presentation of annual Northern Voices Community Projects Joseph Skipsey Award - and commemoration of the Hartley Pit Disaster with poems and songs. This event will also mark the 45th anniversary of the death of Newcastle writer Jack Common and the 110th of his birth, with readings from his works, poems and songs by local folk group 'Kiddar's Luck'.
Tuesday September 3rd 2013 7.30pm.
Northern Voices Community Projects. A special event to mark the 110th anniversary of the death of pitman poet Joseph Skipsey (1832-1903) with songs and readings.Events held at Mining Institute, Westgate Road, Newcastle
Saturday, 20 October 2012
WILLIAM BLAKE IN THE BRIDGE HOTEL
A few pints of Deuchars and my spirit is soaring.
The
child dances out of me,
goes
running down to the Tyne,
while
the little man in me wrestles with a lass
and
William Blake beams all his innocence in my glass.
And
the old experience sweats from a castle’s bricks
as
another local prophet takes a jump off the bridge.
It’s
the spirit of Pat Foley and the ancient brigade
on
the loose down the Quayside stairs
in
a futile search,
just
a step in the past,
for
one last revolutionary song.
All
the jars we have supped
in
the hope of a change;
all
the flirting and courting and chancing downstream;
all
the words in the air and the luck pissed away.
It
seems we oldies are running back
screaming
to the Bewick days,
when
a man could down a politicised quip
and
craft a civilised chat
before
he fed the birds
in
the Churchyard.
The
cultural ships are fair steaming in
but
it’s all stripped of meaning -
the
Councillors wade
in
the shallow end.
O
Blake! buy me a pint in the Bridge again,
let
it shiver with sunlight
through
all the stained windows,
make
my wit sparkle
and
my knees buckle.
Set
me free of this stifling age
when
the bland are back in charge.
Let
us grow our golden hair wild once more
and
roar like Tygers
down
Dog Leap Stairs.
KEITH
ARMSTRONG
Thursday, 18 October 2012
Departing Tyneside
Last orders was still half past ten,
When slipways hadn’t yet slipped away
Or mines been undermined. By day
The Quayside was grim, by night worse,
Except on the Sabbath, God’s curse
On commerce relaxed by hawkers,
Barrow boys and other jokers
With market stalls. The day before
Would have been SuperMac, the roar
Of the Leazes End, just a year
On from Mexico and the clear
Refrain…
“Ey, ey, ey, ey,
Someone has pinched my sombrero,
The dirty twat
Has pissed on my hat,
And now I’ve got nothing to wearo, wearo, wearo…”
Then it was Haymarket, Hotspur,
Farmers Rest, Brown Ale or Amber,
The first time shock of being offered
A pint of scotch. T Dan occurred
And Newcastle was up for change,
Loose change in pockets of a range
Of speculators. Local feelings
Losing out to opaque dealings,
“The fog on the Tyne
Is all mine, all mine,
Fog on the Tyne is all mine.”
But always there was poetry,
In pubs and clubs the verse set free,
Falling from the backs of lorries,
Carried on the breeze through the trees
Of Leazes Park, Exhibition
Park or any park the mission
Could be declaimed. Those were nights of
Open reading; of the heights of
Prosody we were the steeple
Jacks: Poetry to the People!
Then freewheeling fine thoughts were dished
And the seventies abolished
By the Iron Lady.
“You can’t touch me I’m part of the union,
You can’t touch me I’m part of the union,
You can’t touch me I’m part of the union,
Till the day I die, till the day I die.”
Two
score years
And more when necessity steers
Me away: the union is broken.
Time, like stanzas soon as spoken,
Passes. The Great North Road also
Drives south, four full counties below
Where Akenside and Spence left as well;
The High Level and Bridge Hotel,
St. James’ Park (at last) restored,
Morden Tower largely ingnored
And Tescopolis, where it’s said
There once stood the town of Gateshead.
Central Station announcers sing,
The poet now departing…
Friday, 12 October 2012
JUMPING JAMIE!
The poems below were written by Keith Armstrong for a touring show ‘O’er the Hills’ by Northumberland Theatre Company in 1988, recounting the life of Northumbrian Piper, Jamie Allan (1734-1810), and based on an original idea by Armstrong.
The show featured Armstrong in performance with associate writer Graeme Rigby together with musicians Kathryn Tickell, on Northumbrian Pipes, Rick Taylor, on trombone, Paul Flush on keyboards, Keith Morris on vocals and saxophone and Joan McKay on vocals, with original music by Taylor, Flush and Tickell.
JUMPING JAMIE!
A mischievous man you might say
but with beauty did he play,
with his wee fingers
tripping
over songs.
When he piped,
the rivers and girls came
running.
The world danced
when Jamie drooled
on his lance.
Yes, when Jamie smoked,
the salmon
leapt in his pipes.
A bit of a lad and bad
but oh what a way he had;
with the fish
and his hands leaping,
he set the salmon and some women
jumping:
Jumping Jamie!
Home your heart
in your hymns,
your wild Northumbrian hymns -
Jumping Jamie!
Home your heart.
JAMIE LIVES!
I see him.
Everytime I see
the Coquet,
I see him.
Everytime
I walk
the Cheviots,
I sense his voice.
I hear him
in the Curlew;
I hear Jamie
in the wind.
His tunes
haunt me still;
his wandering fingers
ripple through
the grass.
His tunes splash
across the river,
skim
in me.
IN THE YOUNG DAYS
In the young days,
I swam,
dipped in the River Coquet.
Along the banks I ran,
shouting for the sun.
In all wild flowers,
I’d lie,
picking out such scent,
jinking jaunty amongst sheep,
dancing for my keep.
Now by the Ganges I walk,
the evening streaming blood;
such wanders through a different land,
such songs of our dead brothers.
In the scale of things I am
but a small fish abroad;
all rivers flow together,
all wonders outlive man.
Jamie Allen I,
piper by the sea;
notes flow inside me,
streams flow by.
OUTCLASSED*
I never really knew my station,
my destination.
I was restless,
yearning.
Could never settle
for second best.
Yet I was
consistently
outclassed.
Ending my days
dingily alone,
stripped of illusions
and riddled
with humility.
My ego starved,
my regal palate fed
on bread
and Coquet water.
*performed by Mike Tickell on the Kathryn Tickell album ‘Common Ground’ (1988)
FOOTNOTE:
Jamie Allan, the most renowned inhabitant of the House of Correction, Elvet Bridge, was born of gypsy parentage near Rothbury in the 1730s and his accomplishment on the Northumbrian pipes earned him recognition from the Duchess of Northumberland.
He became resident at Alnwick but misbehaved and lost her favour. Subsequently he led a remarkable and irresponsible itinerant life throughout Europe, Asia and Africa but on his return was convicted in 1803 at Durham Assizes of horse stealing, and condemned to death. This sentence was later commuted to transportation but, probably due to his advanced age and poor health, this last journey was not enforced and he spent the remaining seven years of his life in the House of Correction. This is the building where Hollathan's is now housed.
He died in 1810 on the day before the Prince Regent granted him a free pardon. It is said that his ghost wanders the dank, dark cells and that the plaintive sound of his pipes can sometimes be heard.
No Wonder! What greater punishment to a wandering gypsy than this? Even his request to be buried in his native Rothbury went unheeded and he was interred in St. Nicholas' Churchyard, now part of Durham's busy Market Place.
BOOKINGS: Contact Northern Voices Community Projects tel 0191 2529531 if you are interested in booking the new ‘Jumping Jamie!’ show.
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