Black Gate,
an oxter of history,
reaches for me
with a stubby finger,
invites me into Old Newcastle,
its vital cast
of craggy characters,
Garth urchins,
dancing blades
and reeling lasses.
Black Gate,
I can read
the lines
on your brow,
the very grit
on your timelined walls,
the furrowed path
down the Geordie lane
where Alexander Stephenson stoops
to let me in
and the merchant Patrick Black
still trades in memories.
Once
there was a tavern
inside you,
that’s why
the bricks cackle
and the windows creak
with the crack of old ale
and the redundant patter
of publican John Pickell.
Black Gate,
you could say
my childhood is in your stones,
my mother and father figures,
my river
of drifting years,
waiting to greet me.
Hoist up your drawbridge,
in the startling chill
of a Tyne dawn,
this boy is with you
and with himself
in this home city
of old bones,
new blood
and dripping dreams.
KEITH ARMSTRONG
*The Black Gate is named after the seventeenth century merchant Patrick Black.
'Evocative. Sings for me.' (Stuart) 'Nice poem Keith. Evocative and full of rich characterisation.' (John)
